In Developing Mission, Joseph W. Ho offers a transnational cultural history of US and Chinese communities framed by missionary lenses through time and space—tracing the lives and afterlives of images, cameras, and visual imaginations from before the Second Sino-Japanese War through the first years of the People's Republic of China. When American Protestant and Catholic missiona...(展开全部)

3030: New Photography in China TThis fully illustrated survey presents the work of 30 of China's most exciting photographers under 30. Here for the first time is presented China’s new generation, unburdened by ideology and immersed in the economic and social changes that have transformed China over the past 20 years. From internationally exhibiting artists to photo-journalists,...(展开全部)

3030: New Photography in China TThis fully illustrated survey presents the work of 30 of China's most exciting photographers under 30. Here for the first time is presented China’s new generation, unburdened by ideology and immersed in the economic and social changes that have transformed China over the past 20 years. From internationally exhibiting artists to photo-journalists,...(展开全部)

Photography was introduced to China in the 1840s through the West's engagement in the Opium Wars and the subsequent reforms of Chinese statesmen. As a result, traditional modes of expression were dramatically transformed. Uncovered here is a captivating visual history of China during photography's first century, from the late Qing period to Republican Shanghai and wartime Chong...(展开全部)

Emphasizing the medium’s reception among several Chinese constituencies, this book explores photography’s impact within new discourses on science, as well as its effects in social life, visual modernity and the media during China’s transition from imperial to republican government. General knowledge and academic teaching of early modern Chinese visual culture stops short of fit...(展开全部)

In this original and readable book, Charles Stafford describes the Chinese fascination with separation and reunion. Drawing on his field studies in Taiwan and mainland China, he gives a vivid account of raucous festivals of reunion, elaborate rituals for the sending-off of gods (and daughters), poetic moments of leave-takings between friends, and bitter political rhetoric about...(展开全部)

In this original and readable book, Charles Stafford describes the Chinese fascination with separation and reunion. Drawing on his field studies in Taiwan and mainland China, he gives a vivid account of raucous festivals of reunion, elaborate rituals for the sending-off of gods (and daughters), poetic moments of leave-takings between friends, and bitter political rhetoric about...(展开全部)

This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place, and as a space that was cultural, ecomic, and creative. Its authors also look closely a...(展开全部)

From the first sets of photographic records made by Western travelers to doctored portraits of Chairman Mao and the avant-garde photographic performances of the post–Cultural Revolution era, photography in China has followed divergent paths. In this book, Wu Hung explores the multiple histories of photographic production in China, using them to tell a larger story about China’s...(展开全部)